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A Memorial Reading in honor of Saskia Hamilton’s posthumous collection, All Souls, with Friends, Students, & Colleagues (via Zoom)

December 9, 2023 @ 4:00 pm - 5:30 pm

Free – $50.00

Who becomes familiar with mortal
illness for very long. I was a stranger, &c.
Not everyone appreciates it, no
one finds being the third person
becoming, it’s never accurate,
and then one is headed for the past tense.

Futurity that was once a lark, a gamble,
a chance messenger, traffic and trade, under sail.

The boy touches your arm in his sleep
for ballast. It’s warm in the hold. Between
ship and sky, the bounds of sight
alone, sphere so bounded.

—from “All Souls”

In All Souls, Saskia Hamilton transforms compassion, fear, expectation, and memory into art of the highest order. Judgment is suspended as the poems and lyric fragments make an inventory of truths that carry us through night’s reckoning with mortal hope into daylight. But even daylight—with its escapements and unbreakable numbers, “restless, / irregular light and shadow, awakened”—can’t appease the crisis of survival at the heart of this collection. Marked with a new openness and freedom—a new way of saying that is itself a study of what can and can’t be said—the poems give way to Hamilton’s mind, and her unerring descriptions of everyday life: “the asphalt velvety in the rain.”

The central suite of poems vibrates with a ghostly radioactive attentiveness, with care unbounded by time or space. Its impossible charge is to acknowledge and ease suffering with a gaze that both widens and narrows its aperture. Lightly told, told without sentimentality, the story is devastating. A mother prepares to take leave of a young son. Impossible departure. “A disturbance within the order of moments.” One that can’t be stopped, though in these poems language does arrest and in some essential ways fix time.

Tenderness, courage, refusal, and acceptance infuse this work, illuminating what Elizabeth Hardwick called “the universal unsealed wound of existence.”

Saskia Hamilton was the author of several books of poetry, including Corridor, named one of the best poetry books of 2014 by The New Yorker and The New York Times Book Review. She is the editor of The Letters of Robert Lowell and coeditor of Words in Air: The Complete Correspondence Between Elizabeth Bishop and Robert Lowell.

Regan Good attended Barnard College and the Iowa Writers’ Workshop where she was a Maytag Fellow. She has held multiple residencies at MacDowell, Yaddo, The Fine Arts Work Center, Ucross, VCCA and Ragdale. She has published two books of poems, The Atlantic House (2011), and The Needle (2020). She teaches at the Pratt School of Architecture and Barnard College. She is currently a Contributing Editor at Interim, and lives in Brooklyn.

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Details

Date:
December 9, 2023
Time:
4:00 pm - 5:30 pm
Cost:
Free – $50.00
Event Categories:
, , ,

Venue

Hudson Valley Writers Center
Philipse Manor Station
Sleepy Hollow, NY 10591 United States
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Phone
914.332.5953
View Venue Website

Organizer

HVWC
Phone
914.332.5953
Email
ask@writerscenter.org
View Organizer Website